These new additions to the Gold Coast landscape by Lot-ek, Office Feuerman and Urban Art Projects engage with notions of sustainable luxury.
A new reserve on Melbourne’s western fringe celebrates one of Victoria’s most threatened ecologies by immersing users in the subtle beauty of native grasslands.
A recent book on the design of Manhattan’s elevated railway park offers a insight into the project’s plantings and celebrates the sensuous and dynamic qualities of living systems.
In the south-east of Tasmania a new forty-six-kilometre hiking trail charts spectacular sea cliffs and dramatic gullies. The trail is one of the largest nature tourism projects in Australian history and its design will no doubt inform others in development.
Cassandra Chilton of Rush Wright Associates reviews the 2017 NGV Architecture Commission by Retallack Thompson and Other Architects and finds, among other things, the “best place in Melbourne this summer for a warm afternoon snooze.”
Agricultural scientist and farmer Charles Massy has published a book that calls for a deeper understanding of human effects upon the landscape and for practice that is by its nature regenerative.
A series of diverse, textural and dynamic “garden rooms” are the result of a close collaboration between architect and landscape architect and celebrate a life lived outdoors.
As development pressures intensify in Australian cities, the renovation of the Riverside Centre plaza illustrates how an urban space can be revitalized without the need to sacrifice heritage or cultural identity.
Howard Tanner reviews Michael Bates’ book The New Australian Garden: Landscapes for living.
Anyone who has travelled through regional Australia would understand the importance many towns place on their welcome signs – not just to communicate useful information, but also to establish and project an identity of place.
Community engagement, Aboriginal artwork, locally sourced timber and a piece of history have been brought together to create this new wharf in northern Victoria.
The humble native meadow in Sydney’s historic Prince Alfred Park demonstrates that planting design has more to offer than decoration or ecology – it can engage with culture in a powerful way.
Rem Koolhaas and David Gianotten from the Office for Metropolitan Architecture (OMA) recently spoke to an audience of more than 700 people at the Melbourne School of Design about their new research direction – the countryside.
Planting design for the courtyards at the Shrine of Remembrance, Melbourne subtly evokes Pacific and South-East Asian theatres of service, sacrifice and peacekeeping.
The Woody Meadow Project seeks to create urban plantings that are diverse and attractive yet require minimal maintenance.
The 202020 Vision is an initiative to create “20 percent more green space in Australia’s urban areas by the year 2020.” But the ambitions of the vision, and its claims to success, deserve some serious scrutiny.
The Cultivated Wild, published by The Monacelli Press, showcases Jungles’ recent projects, revealing remarkable approaches to design thinking with plants.
Trevor and Christina Kennedy have created a significant and substantial garden on their own private island near Bodalla on the South Coast of New South Wales.
Rhys Williams reviews the 2017 Landscape Australia Conference, unpacking a subtext that pervaded the day which spoke to the realities of practising in a world where scientific fact, moral standards and due process seemingly carry little weight.
Opened in 2005, the Cheonggyecheon Stream Restoration Project “daylighted” a neglected watercourse in the centre of Seoul that was previously covered over by an elevated highway, and prior to that, was basically an open sewer.
Howard Tanner visits the oldest and most distinguished garden trade show in the world and finds a breathtaking range of design ideas and plant material.
MVRDV has converted a former overpass into a plant-covered walkway in Seoul, South Korea. Landscape Australia editor Ricky Ray Ricardo visited the project and penned this postcard.
Eight ferry terminals have been stitched to their Brisbane River sites in a generous, flood-resilient scheme that elevates the public transit experience.
Cassandra Chilton reviews the recent exhibition Shit Gardens of Melbourne II: A Celebration Not a Condemnation – an unofficial fringe event to the Melbourne International Flower and Garden Show.
This “glass garden” by artist Janet Laurence at the Novartis Pharmaceuticals headquarters in Sydney occupies a space between art, science, imagination and memory.
A review of the 2016 Barcelona International Biennial of Landscape Architecture.
Working in parallel with French architects Studio Odile Decq, Hassell has designed an immersive and tactile landscape outside the Chinese city of Nanjing.
A jury consisting of Mark Jacques, Sharon Mackay and Susan Ryan AO present the following list of esteemed fellows in Australian landscape architecture.
Over the past decade, Australian landscape architecture has grown in its range and expression. These ten projects allow a clear view of where the profession is headed.
A former red-brick housing commission house in the bayside suburbs of Melbourne has been transformed by Mark Dymiotis to replicate the traditional village Mediterranean practices of his heritage.
These ten projects represent the formation of the landscape architecture profession at a time when its identity was tested but a wave of practitioners was propelled into the new millennium.
Nicole Kalms introduces her new book, Hypersexual City: The Provocation of Soft-Core Urbanism.
Michael Wright and Catherine Rush visit a spectacular high-altitude, dry-climate garden in the south-west of the USA.
Catherin Bull reviews Jillian Walliss and Heike Rahmann’s recent book, Landscape Architecture and Digital Technologies: Re-conceptualising Design and Making.
This unconventional garden has followed its owner’s discovery of the grasslands of Melbourne’s west.
Charles Anderson reviews Unspoken Spaces: Studio Olafur Eliasson, a richly illustrated journey through the extraordinary range of works realized by artist Olafur Eliasson and his studio since the late 1990s.
Mauro Baracco and Louise Wright visited Christo and Jeanne-Claude latest work that stretched across Italy’s picturesque Lake Iseo for two weeks in June 2016.
Rhys Williams reviews the 2016 AILA International Festival of Landscape Architecture: Not in my Backyard.
A poetic and dynamic light array provides information about the estuarine health of Hobart’s River Derwent by monitoring dissolved oxygen levels below the surface.
Urban historian Graeme Davison introduces his recent book City Dreamers: the urban imagination in Australia.