2018 Landscape Architecture Australia Student Prize: Deakin University

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The approach to the gallery of ancient memories with the restored freshwater spring in the foreground and Bunda Mundi Ghunji (White Rock Peak) behind.

The approach to the gallery of ancient memories with the restored freshwater spring in the foreground and Bunda Mundi Ghunji (White Rock Peak) behind. Image: Belinda Allwood

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In a challenge to terra nullius, a gallery of conjoined dome voids evokes the presence of the traditional Yidinji rainforest dwellings; the adjacent sunken courtyard offers a place for reflection.

In a challenge to terra nullius, a gallery of conjoined dome voids evokes the presence of the traditional Yidinji rainforest dwellings; the adjacent sunken courtyard offers a place for reflection. Image: Belinda Allwood

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A sectional view through the site – unprogrammed open space offers flexibility for the community. The gallery and sunken court nestle into the flank of the new hill.

A sectional view through the site – unprogrammed open space offers flexibility for the community. The gallery and sunken court nestle into the flank of the new hill. Image: Belinda Allwood

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White Rock Cultural Domain by Belinda Allwood
Landscape Architecture Australia Student Prize
Master of Landscape Architecture, Deakin University

Project statement

The White Rock Cultural Domain reimagines a brief for a four-hectare site slated to become a neighbourhood and sporting precinct in a suburb of Cairns. The project represents a step toward reconciliation through the restoration of a culturally significant place. The White Rock Cultural Domain reverses a contemporary history of dispossession, genocide and the erasure of a site that had, in ancient memory, been a freshwater place and a healing place.

Engagement with Gimuy Walubara Yidinji elders was central to the project’s intercultural design methodology. Conversation around two histories, ancient and contemporary, were interwoven with discussion surrounding Gimuy Country, remnant ecologies and plant types to develop the parallel themes of memory, remembrance and ecology. The ancient spring flows freely once more, anchoring a water sensitive design strategy that replaces concrete drains and restores endemic ecologies to better protect the adjacent estuarine marine park. A new hill presents a vantage point for storytelling, with connecting views to significant places on Country. Spatial elements, combined with seasonal flowering plants, elicit the memory of two histories and spark remembrance of lives lost in a Frontier Wars massacre that took place on the banks of nearby Bana Jabugarra (Skeleton Creek) in 1885.

The directors of Abriculture, Gudju Gudju Fourmile (Gimuy elder) and Jenny Lynch are acknowledged for their generous contributions, insights and knowledge of Gimuy Walubara Yidinji culture, history and ecology in relation to this project. They have given permission for this project to be published.


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