Falls Creek wayfinding signage by Büro North

Büro North’s tree-like wayfinding signage system at Falls Creek in Victoria helps visitors navigate their way around regardless of the season.

The Falls Creek Alpine Resort might be in the mountainous ranges of north-eastern Victoria but there’s a distinctly European-ski-village feel about it. As the only “ski-in, ski-out” village in Australia, the Falls Creek resort allows guests to ski right up to their chalet door, after either a long day of skiing or a short day of falling over.

Design studio Büro North, whose diverse wayfinding portfolio has garnered awards and praise over its short life, was commissioned to complete a new signage system for the resort. As part of preparation, the team spent a week on site, immersing themselves in the environment as well as interviewing different stakeholders and village users. What soon became apparent was the immense number of challenges in store for the team in creating an efficient signage system for an Australian ski village.

The striking orange colour draws attention in the snowy landscape.

The striking orange colour draws attention in the snowy landscape.

Image: Daniel Colombo

The first challenge was the variable terrain, conditions and seasons. The system would need to be strong enough to withstand the chill of winter and the occasional category-two wind, but also the summer sun. The signage also had to be clear enough to direct village guests around the small but complex site, which in many cases meant zigzagging to climb up the mountain, going west in order to reach an eastern destination. During summer and winter, different facilities would open and close, therefore the system would have to be able to easily adapt to these seasonal operational requirements. Finally, the system had to take into account a diverse range of users. Unlike wayfinding for a retail space or hospital where users are essentially behaving the same way, the ski village consisted of a mix of local residents, non-English-speaking tourists, maintenance staff, once-off visitors and seasoned regulars. On top of that, these users were divided into skiers, snowboarders, mountain bikers and bushwalkers.

The resort’s previous system was antiquated, using several poles at an intersection, which was both inefficient and confusing. Büro North’s system wished to consolidate these multiple poles into one, as well as providing a lot of information at an apposite height for reading. Proving its efficiency, twenty-six new poles have been put up across the ski village, replacing more than forty in the old system.

The resultant signage poles are made up of two aluminium modules – one short and one tall. The modules are hollow, sliding over a standard street pole and locking together. A typical pole might include three tall modules and two short ones to reach a four-metre height. Rectangular signs branch out from the modules’ joints, giving it a tree-like figure.

The blaze-orange colour choice, while unusual and audacious, was curiously not based on its high visibility virtues, but is in fact the result of a lack of choices. Reds and yellows associated too much with danger and hazards, while blues and greens blended with the trees and the corporate branding. While the colour was a concern, when mixed with white modules and with the orange modules only appearing at eye level, the overall colour scheme draws a person’s attention and is bold at the same time.

With this ski village signage system, Büro North’s design process was exceptionally rational, each decision based on reason and context rather than style. While this approach runs the risk of creating something ugly, the end result is beautiful and distinct for what it is and where it is.

Credits

Project team
Büro North
Melbourne, Vic, Australia
Project Team
Soren Luckins, Finn Butler, David Williamson, Tom Allnutt, Ante Ljubas
Project team
ID/Lab
Melbourne, Vic, Australia
Consultants
Engineer Michael Blair
Manufacture Schiavello
Site details
Location Falls Creek,  Vic,  Australia
Site type Rural
Category Landscape / urban design
Type Education, Public / civic
Project Details
Status Built
Design, documentation 12 months
Construction 3 months

Source

Review

Published online: 28 Apr 2016
Words: Cassie Hansen
Images: Daniel Colombo, Soren Luckins

Issue

Landscape Architecture Australia, August 2011

Related topics

More review

See all
Swiss landscape architect Gunther Vogt, founding director of Vogt Landscape Architects Shaping future practice: 2019 New Gen Program

Stacey Edwards considers the 2019 New Gen Program, which aimed to join young landscape architects with speakers from the 2019 International Festival of Landscape Architecture …

The Smart City Expo World Congress 2019 was held in Barcelona over three days in November. A change in paradigm – data science and the city: Smart City Expo World Congress 2019

Sigrid Ehrmann reports on the themes and discussions of the Smart City Expo World Congress 2019, held in Barcelona in November.

Festival keynote speaker Julia Czerniak spoke of a shift from designing for humans to designing for all living beings. "Reflective, informative and inquisitive": 2019 International Festival of Landscape Architecture

Linda Corkery reflects on the 2019 AILA Festival that sought to examine key issues relating to the design and management of urban open space in …

Commissioned for the Glenorchy Art and Sculpture Park (GASP), Refraction Principle (2018) is a steel sculpture on Hobart’s Derwent River that marks the site where fresh and salt water meet. Sites unseen: the work of James Geurts

Melbourne-based artist James Geurts explores the entangling of the human and the natural, and the dynamic yet invisible forces that shape our environment.

Most read